About Nick

"Don’t ask me why I obsessively look to rock n’ roll bands for some kind of model for a better society. I guess it’s just that I glimpsed something beautiful in a flashbulb moment once, and perhaps mistaking it for prophecy have been seeking it’s fulfillment ever since. And perhaps that nothing else in the world ever seemed to hold even this much promise" - Lester Bangs 1977 That about sums up why I write about music. I go to school at Boston University with Akhil, one of the other indiemusers, and we share similar views on music. I just want people to hear stuff. Sometimes I wish I were more eloquent. I also write for Performer Magazine, and play in the band You Can Be A Wesley. And that's me!

Pikelet – Bug-In-Mouth

Before coming to Australia, where I’m studying until December, I was repeatedly told that there is no local music scene in Sydney. “It’s all DJs and clubs and $20 drinks and dress codes,” they said. Well apparently, these people never wandered outside of the two block radius encompassed by our campus. Sydney’s music scene is thriving.

Last week, I wandered into the Hopetoun Hotel (they call bars hotels, weird) in a wonderful town called Surry Hills to discover Pikelet, an Australian singer/songwriter/magician out of Melbourne. Sitting alone with a classical guitar, in front of two mics and above an assortment of loop and delay pedals, next to a lone tom-tom, underneath what seemed like a single ray of divine light, Pikelet built masterful, otherworldly arrangements that I still don’t believe could originate entirely from one person. After only one song, I knew: if I were to take a trip to a mystical land far, far away, Pikelet would be my soundtrack.

She weaves tales in the style of Joanna Newsom, meandering through songs with ever-evolving structures, forcing her stories to fit her melodies, all the while propelled by layers of accordion, synthesizers, classical guitar and vocal and percussive loops. If you’re into the above mentioned Ms. Newsom, Kate Bush, Mirah, Audrey Ryan, dig Sufjan’s arrangements or have a respect for Phil Elverum’s production style, then you’ve found a friend in Pikelet.

I know I’ve been captured by a sound when I can space out for an hour, not quite knowing what just happened, but having definitively vague memories of valleys and peaks, of half-conceived hooks and singular notes, that with a second listen, always evoke overwhelming deja vu, and nostalgia for something that might not exist. Basically, it’s when I get the chills. So, thanks for that, Pikelet. And I hope y’all get the chills too.

And my favorite lyric so far, from “Bug-In-Mouth”:

“Instead of sleeping, I’m going to keep going. Instead of counting sheep, I’m going to count how many bugs I eat in my sleep.”

And two songs! From her self-titled debut (and you can purchase the album from the link below, which you should):

Pikelet – Bug-In-Mouth

Pikelet – Size Matters

|Myspace|Website/OMG buy the album!|Wikipedia!|

Sufjan Stevens – Super Sexy Woman (2000)

http://savetherobot.files.wordpress.com/2007/04/28860sufjan.jpg

I only post this because I feel this song has slipped under most people’s radars. (So, sorry if this post seems slightly irrelevant. I just re-discovered it and got really excited.) From his first album, A Sun Came!, this is one of the zanier things Sufjan’s ever released. It sounds like something you’d record stoned at four in the morning on a whim. Which was probably the case, evidenced by the off-key vocals and the warm crackle of a four-track. I especially recommend this for any doubter’s of Sufjan’s songwriting prowess. If there is a song to turn you, it’s Super Sexy Woman. And with lyrics like “She is super duper smart/I like her for her mind/She’ll shoot a super fart/The deadly silent kind,” what’s not to love?

And for whatever reason, no one ever talks about A Sun Came!, which is just as good, if not better, than his more celebrated releases. So check it out. I know Sufjan has been blogged to death, but most of it is deserving.

And just for some context (and in the event that you’ve been living under a rock, which is somehow underneath another, larger rock), I’ve included Chicago, one of his hits from Illinoise!.

Sufjan Stevens – Super Sexy Woman

Sufjan Stevens – Chicago

Oh, and this video is hysterical.

[youtube]http://www.youtube.com/watch?v=Bv5AELClUNs[/youtube]

|Myspace|Amazon|Website|

Allston (Boston) Rock City

This is a mix of great songs from bands in Boston that, despite my best efforts, won’t get unstuck from my head. And there’s a reason they’re stuck there. That being that they’re great. And when I feel that void creeping in, the one I get after scrolling through all 7,000 songs on my iPod and not finding a single thing to listen to, that I click a random link from one of these bands myspace pages, and hopefully find something new to latch on to. So hopefully, one (or more!) of these tracks will become your new obsession. So folks, here you go, a brief introduction to Allston Rock City. (Some of these albums might be a bit tough to get, so if any of it strikes your fancy, shoot me an e-mail (PeterNC9@gmail.com) and I’ll steer you in the right direction.)

Tulsa – Mass – Clouds of distortion, jagged classic-rock guitar solos, and Carter Tanton’s reverb drenched voice, floating through the song in his best Jim James. This is one of those songs that makes you want to storm a castle with an army at your back. In slow motion. Up hill.
If you dig My Morning Jacket, you’ll love Tulsa. Grab I was Submerged, and look for their newest LP sometime this fall.

The Toothaches – It’s All Gunna Be OK – And after you stormed your castle, settle down with the Toothaches. From their first LP, A Month of Sundays, this is one of the happiest songs I know. And as I sit here, hung-over on a Sunday, it’s all I need. Also pictured above. They’re adorable. Oh god, don’t tell them I said that. They’ll hurt me.

Hooray For Earth – Warm OutHFE are kind of like if the dude from Islands fronted Nine Inch Nails. Or if Beck decided to redo Odelay as a grunge epic. I’ve used this line in a past review, but if the birth of a star were to have a soundtrack, the Cellphone EP (and Warm Out) might be appropriate. Also one of my favorite songs in recent memory.

Helms – It Takes Skin to Win – If Slint formed a super group with Explosions in the Sky, and wrote more hook-oriented songs, it’d almost be as good as Helms. I’ve had this song stuck in the back of my head for three years. And their live shows are unlike anything else in town. Their album McCarthy is a good place to start.

King Tuff – LadyKing Tuff isn’t from Boston, so this is kind of cheating. But he writes brilliant 60s power pop. Super lo-fi, completely self-recorded, he sounds like a more cohesive Television. I was introduced to King Tuff at a show my band played last summer in Vermont. Toward the end of our set, he strode in, looking like a grizzlier Neil Young, walked on stage, picked up a guitar, and just started shredding. He didn’t say anything, it was unreal.

Ketman – Oubliette – When I first saw Ketman, I thought I’d walked in on a Meat Puppets show. They were recently voted best new band in Boston by a reputable weekly mag, and are definitely the best power-trio in town. I did an interview in Performer Magazine with them this month. Their new album, El Torro, is like a hard slap in the face. In a good way.

Twink – What The DickensTwink’s one-sheet describes his music as “chaotic toytronica.” A Very Fine Adventure sounds like one of Jon Brion’s freaked out instrumentals, or b-sides to the I Heart Huckabees soundtrack. Slightly atonal toy piano floats through elaborate arrangements of other toy instruments, synthesizers and a whole bevy of phasing, pulsing instruments I can’t name. It’s a trip, freak out. But make sure a pillow or a friend is handy, you’ll eventually want to cuddle.

Get into it. And please, don’t be shy, contact these people, find where they’re playing, enjoy their tunes, and support local music!

Captain of Industry – The Bronze

   

 

 A few weeks ago, my band had the fortune of sharing the stage with Dayton, OH indie-rockers Captain of Industry, who came at us by way of our friends in Pretty & Nice (who are about to drop ’08’s indie-pop bomb in October, more to come on that as the date approaches). Without ever having heard Captain prior to playing with them, I was instantly engaged in their live show – singer Nathan Peters calmly hid behind a battered Fender Rhodes piano, acting as the eye of an indie rock storm while his four band mates writhed around him, all dueling guitars a la Television and popping, instantly accessible, just short of recognizable hooks. But it wasn’t until I sat down with their album, The Bronze, that it really hit.

Their songs are short and sweet, just long enough to establish hooks but short enough to leave a distinct longing for something more. Each song has a story to tell, a message to convey, something instantly relatable reminiscent of early Pavement’s sincerity (like my favorite lyric from “Range Life,” – You gotta pay your dues, before you pay your rent). They’re just as likely to create shimmery neo-folk as they are frantic, deranged rock and roll. The album still knocks me over in it’s uniqueness, and that’s why I’ve included two tracks for download today. But dear god, buy this album, support this band.

Choosing which songs to upload was tough. Every other minute I’d decided on a different song, but here are the two I finally settled with:

“Face Full of Head Full of Hair” is on their neo-folk-shimmery-guitar-line side, as mentioned above. Great lyrics, dynamic structure, intriguing from start to finish. Peters uses a very peculiar inflection on his lyrics toward the end, some of the more engaging lyrics too.

“Sweet Nectar Action” is a minute and a half of furious, indie-rock bliss. Beginning with frantic hard-rock guitars, the song seamlessly transitions into a dance-rock anthem, with Peters’s double-tracked, harmonized falseto leading a tight groove that quickly crescendos and fades. Boom.

 And one of the more precious lyrics from the album:

“Let’s be friends and hold f’ing hands, burn me up we’ll tumble to the sun” – Blood, Sweat, Sex

 from The Bronze:

Face Full of Head Full of Hair – Captain of Industry

Sweet Nectar Action – Captain of Industry

| MySpace | eMusic | Rhapsody |

Ride – Dreams Burn Down (1990)

As far as popular shoegaze (oxymoron?) goes, Ride has undeservedly slipped beneath the overbearing shadow of rock legends, My Bloody Valentine. I recently learned that the British press actually coined the term shoegaze in reaction to Ride’s live show – they would stare at the stage while playing, walls of trembling, shivering noise pulsing behind them. So, in light of what seems to be a modern, indie shoegaze resurgence (see: The Raveonettes, Mew, Blonde Redhead’s 23, basically any indie in the last decade), it is fitting to consult the vaults, and resurrect this gem.

“Dream Burn Down” opens with an impossible momentum – huge, slightly-off kilter drums charging in, backed by a distorted, heavily tremolo’d rhythm guitar. The piercing specifics of the guitar lead are a brilliant (literally, they’re all sparkle) counterpoint to the amorphous mass of sound swirling beneath, propelling Andy Bell’s melody toward a series of immaculate noise breakdowns. As the verses proceed, the anticipation builds, the increasingly frantic instrumentation mirroring Bell’s heightened frustrations: “Waiting, hoping for a sign/That what’s forbidden can be mine/I just want what I can’t have/’Til my dreams burn down every time.” And at the resolution of each verse, the vocals dissolve seamlessly into walls of static noise, a visceral release in a wave of sound.

Sometimes I get a little carried away with my writing, but I think that’s probably a reflection of how much I want people to dig what I’m writing about. There aren’t many songs that I feel my stereo can’t do justice. And this song absolutely kills. Like My Bloody Valentine’s Loveless, “Dreams Burn Down” demands to be listened to at maximum volume on your system. This is when an 11-knob a-la Spinal Tap would come in handy.

And for a love song on the lighter, less-angsty side, check out “Vapour Trail,” also below for download. Even more swirls!

Ride – Dreams Burn Down (Nowhere – 1990)

Ride – Vapour Trail (Nowhere – 1990)

[youtube]http://youtube.com/watch?v=RzLdgqSXNJs&feature=related[/youtube]

With the video below, the interview is kinda lame, but the unplugged song is real cool, done like the Take Away Films of today.

[youtube]http://youtube.com/watch?v=Em_jbm33tBo&feature=related[/youtube]

Site | MySpace | Big Ole’ Fan Website | Amazon |

The Hold Steady – Constructive Summer

Hold Steady Live

“Constructive Summer” is the lead song off the Hold Steady’s fourth and soon to be released (July 15h) album, Stay Positive. The Hold Steady is unabashed in their reverence for Springsteen, someone I never got into, but an influence easily appreciated in their sound. Their songs are sincerely melodramatic, turning even the most mundane adolescent memories into epic victories or hallmark stories, typically laced among fluid piano breakdowns and sharp, classic-rock guitar solos. The hooks are huge, and the stories even bigger.

The song opens: “Me and my friends are like/the drums on Lust For Life/We pound it out on floor toms/Our songs are sing along songs” amid overdriven power chords and intricate, angular guitar spurts. It’s a one two punch to the adrenaline gland. They’re drinking on top of water towers and raising toasts to “saint Joe Strummer,” doing everything I’ve always romanticized as summer.

As my first official post with indiemuse, I’d like to share it with you. And if you dig this sound, grab a copy of Boys and Girls in America, and work from there.

m4a: “Constructive Summer” – The Hold Steady

From their first album, The Hold Steady Almost Killed Me

“Certain Songs” – The Hold Steady

[youtube]http://youtube.com/watch?v=OCZB3nSoNbU[/youtube]

[youtube]http://youtube.com/watch?v=IfQ_xQS_7mA[/youtube]

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