Interview: Sky Larkin

Sky Larkin are new to the scene, signing to Witchita (which handles Conor Oberst, Broken Social Scene and Bloc Party, among others) earlier this year. I first met them in New York when our bands shared a bill at Pianos. It was their first time in New York and they had officially signed to Wichita a week prior. Almost immediately following the signing, they flew to New York for two shows and a video shoot.

Classifying them as brit-rock would be easy. It’s all there; jangly guitars, groovy, nearly danceable back beats and, um, their being a bunch Brits playing rock n’ roll. But then they dip into some Pavement-inspired dissonance, throw some delicate vocals over abrasive, ever-evolving guitar lines and use the bass and drums beat the hell out of the middle ground. And it all sounds so pretty. They’re the type of songs that make a walk to work an epic journey, or an ordinary dusk a romanticized cityscape. Listen to Sky Larkin and weave in and out of people on the sidewalk. It is a lot of fun.

They just returned from a three week European tour with Conor Oberst, and are embarking on another lengthy tour with friends Los Campesinos. In between all that craziness, lead singer/head-songwriter Katie Harkin found time to answer a few questions, via e-mail, about getting signed to Witchita, recording their album and getting fed by Conor Oberst’s crew. And below, way below, find some mp3s and the video for “Fossil, I,” shot in Brooklyn.

So, typical background questions: How long have you been a band/how did you meet?

We’ve been a fully fledged band for about 18 months. I started writing songs that would end up becoming Sky Larkin when I went to London to study but it was only when we all moved back to Leeds that things really got going.

You told me a little about recording your new album, somewhere in Seattle – how did you get hooked up with the studio? Was your label involved? Was there any pressure to record a certain type of album?

Wichita asked us what we wanted to do, and we wanted to work with John Goodmanson because we loved the sound of some of the music he had produced (Death Cab, Sleater Kinney, Blood Brothers, Bikini Kill). We had no pressure to record a certain type of anything! Wichita are a very artist-friendly label and they were interested to see what kind of noise we’d make together.

How did you become involved with Witchita? From what you told me, it sounded like a fairy tale story – is your experience at all typical for European bands? Is the label system there as fucked as it is here?

Well we only have our experience to reference, but out of the labels we spoke to, it seemed like no-one does it quite like Wichita! There are amazing labels out there so don’t lose heart!

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Animal Collective’s Trippy New Album Art

Here’s the new album art for Animal Collective’s Merriweather Post Pavilion which should be coming at us January 12th, 2009.

 

If your eyes are moving around, so do the little green footballs, but if you focus on one they stop! Shit’s crazy.

MP3: Animal Collective – Fireworks

MP3: Animal Collective – Grass

MP3: Animal Collective -  College
MySpace | MyAnimalHome

Another Unforgettable Name: Nick Drake (1948-1974)

During this time of remembering the one and only Elliott Smith, there is another musician worth bringing up, who is largely underrated and shares a similar aesthetic with Smith. His name is Nick Drake, and he’s been one of the primary musicians I’ve been listening to recently.  Though there isn’t really evidence that Drake had influence over Smith’s music, like some believe, there is no questioning that Drake helped formulate the minimalist style and emotional lyrics that draw so many people to Smith’s music.

Like Smith, Drake battled severe depression and died November 25, 1974, at the early age of 26, from an anti-depressant overdose. Unlike Smith, Nick didn’t experience much fame in his life, mainly because he was reclusive and reluctant to be interviewed, or play live. When he played live, he rarely spoke to his audience, and didn’t “perform” as much as play for himself, often taking several minutes between songs to retune his guitar. It’s wasn’t until recently, when Volkswagen licensed the song “Pink Moon” for one of their commercials, and his music was featured on popular soundtracks like Garden State, that Drake started getting the long overdue recognition that he deserves.

There are several reasons why I feel so attached to Nick Drake’s music. The most evident reason is that his music is among the most beautiful music I’ve ever heard. His guitar strumming is incredible, and he would practice throughout the night, messing around with different arrangements and tunings. His voice and lyrics are mesmerizing, and Pink Moon may very well be my favorite album of all time.  Another reason I feel so close to Drake’s music is because of how real it is. Although Nick was a man of few words, he was able to release his deeply feelings through his music. He didn’t seem to care much about fame or fortune, and though he had no problem with his music being heard by others, he didn’t go out of his way to get it out there.

Many of his recordings were done in his home, and Family Tree, a recently released album featuring unreleased recordings from before his debut album (Five Leaves Left) are extremely intimate and include appearances from his sister and mom. Drake felt closest with his family,  and he spent the last years of his life at his parent’s home, as his depression continued to spiral down.

Nick Drake was a man of mystery, who no one will ever fully know or understand. It’s unclear whether Nick’s death was a suicide or accidental overdose, but Joe Boyd, Drake’s record producer, believes he was “making a desperate lunge for life rather than a calculated surrender to death.” Though there is no doubt that Drake’s family knew him better than any one else did, his music reveals a very personal side of him that can help listeners to get to know him better, even in his absence.

Five Leaves Left (1969):

Nick Drake – River Man

Nick Drake – ‘Cello Song

Nick Drake – The Thoughts of Mary Jane

Bryter Layter (1970):

Nick Drake – One of These Things First

Nick Drake – Fly

Pink Moon (1972):

Nick Drake – Pink Moon

Nick Drake – Place To Be

Nick Drake – Things Behind The Sun

Family Tree (2007):

Nick Drake – Blues Run The Game

Nick Drake – Day Is Done

Remembering Elliott Smith

 

Elliott Smith

August 6, 1969- October 21, 2003

 

On October 21, 2003, Elliott Smith took his own life and cut short the career of one of the most talented singer-songwriters of all time. Smith battled depression, drug addiction and alcoholism throughout his short but influential career, but still managed to create some of the most beautiful, emotionally touching music of the last few decades. Smith’s intricate acoustic compositions and blend of folk, pop and rock has made the music from all of his 6 albums timeless and his music has both inspired and influenced hundreds of musicians today. Five years ago today, the world lost an amazing musician too early. I hope you all will join me in remembering Elliott Smith today. Rest in peace Elliott.

 

mp3: “No Name #3” from Roman Candle
mp3: “Clementine” from Elliott Smith
mp3: “2:45 A.M.” from Either/Or
mp3: “Baby Britain” from XO
mp3: “Junk Bond Trader” from Figure 8
mp3: “Memory Lane” from From A Basement On A Hill
mp3: “Whatever (Folk Song In C)” from New Moon

 

The Shivers – CMJ/West Coast Tour Dates

meet stud, the shivers’ new mascot.

I’ve spent a lot of my time recently listening to the New York City based band, The Shivers. We’ve featured both their 2008 release, Beaks To The Moon, and 2004 release, Charades, on the site before, and every so often I go through a phase where I only want to listen to their music.

Keith Zarriello, The Shivers front man, has some of the most honest and poetic music you’ll ever come across. I absolutely love it. As I mentioned in a previous post, they do a great job of balancing the familiar with the unfamiliar both lyrically and instrumentally. Their song “Beauty” off Charades is one of the most beautiful and meaningful songs I’ve ever heard. Newer songs off Beaks to The Moon are fantastic, as well (especially “Lonely Road,” “Feather,” and “Love is Good.”)

The Shivers have a CMJ show coming up Oct 23 at Pete’s Candy Store, and shortly after will be heading off to the west coast for a small tour. I have yet to see them live, but hopefully that will change in the not too distant future. Check out their Myspace for the tour dates. And don’t forget to support this great band, they are among today’s best independent acts.

The Shivers – Beauty

The Shivers – Lonely Road

Beaks to the Moon (2008):

The Shivers – Feather

The Shivers – Love Is Good

Charades (2004):

The Shivers – L.I.E.

The Shivers – SoHo Party (This is an example of the diversity I’m talking about. And the song turns into a really cool Cat Stevens cover. Can you dig it?)

Phone Calls (2007):

The Shivers – The Road

Site| Amazon | iTunes | Myspace | 911 Truth (this ones for you, Keith)

Jack White & Alicia Keys – “Another Way To Die”

 

Jack White and Alicia keys recently produced a really solid theme song for the upcoming 2008 James Bond film, Quantum of Solace. This song has White’s name written all over it, and it is really awesome. The fact that the White Stripes/Raconteurs member’s compositions are so minimalist, but still recognizable, goes to show just how talented of a musician he really is.

You may have heard part of “Another Way To Die” in instrumental form in a new coke zero ad. Apparently, White wasn’t thrilled that people first heard the song in a commercial. A statement from his management says:

“Jack White was commissioned by Sony Pictures to write a theme song for the James Bond film Quantum of Solace, not for Coca-Cola. Any other use of the song is based on decisions made by others, not by Jack White. We are disappointed that you first heard the song in a co-promotion for Coke Zero, rather than in its entirety.”

In other news, Coke Zero will become “Coke Zero Zero Seven” to promote the movie. Yum.

Coke Zero Commercial:

[youtube]http://www.youtube.com/watch?v=Sl6rwdwTnbQ[/youtube]

Here’s a trailer for Quantum of Solace.

Another Way to Die (2008):

Jack White & Alicia Keys -  Another Way to Die

Jack White & Alicia Keys -  Another Way to Die (Instrumental)

The Mountain Goats Release Choose Your Own Price EP

 

The Mountain Goats, the alias of singer-songwriter John Darnielle, released The Satanic Messiah EP on October 9th via their website and in their best Radiohead impression have included the option of paying for the EP if you feel it necessary. The EP will also be released as a extremely limited double 7″(only 665 copies being sold, Darnielle will get the 666th). The Mountain Goats released their 16th album Heretic Pride on 4AD in February. I haven’t downloaded the EP yet but I know I’ll be donating, Darnielle is one of the most talented songwriters of our time and I’m sure the EP will be fantastic. In the meantime, I urge all of you to download the album and donate a few dollars if you’re feeling gracious, at the very least to send the message of support to artists giving their fans the option to pay.

Download The Satanic Messiah EP

 

mp3: “Peacocks” from Tallahassee

 

Songs of the Day II

I’ll start, as I always do, with an apology for not writing in some time. Being in school and at work and trying to scrape and find and explore new music is a job that is a lot tougher than I thought. So this past week I swore to devote my time to pick out my recent favorites and share them with you (sorry if I totally missed the boat on some, it’s the thought that counts, right?) I apologize for the layout too, WordPress is being a lameass. Dig deep, there’s quite a bit to be had here.

First off is an awesome track from one of my favorite bands today, Moscow Olympics. Honestly, the production alone on their new album, Cut the World, is worth mention. It is a lesson in tasteful, atmospheric rock the likes of which not only hail to MBV but wholeheartedly attempt to evoke the same amount of emotion… and that’s fuckin rad.

MP3: Moscow Olympics – “No Winter, No Autumn”

MP3: Moscow Olympics – “Still” from the Still 7″ on Fraction Discs.

This next band, Weird Tapes, is infectious (Thanks GvB!). Grab the Get Religion EP for free! And a bunch more tracks at the We’re Tapes blog. These seriously are the jams. I don’t really know too much about these guys, check out Gorilla vs. Bear for that scoop. For now, listen.

MP3: Weird Tapes – “The Heavens”

MP3: Weird Tapes – “TV Romance” from Nightstalking

Arsenal have been popping up around a lot lately. Mostly for their rollicking electronic, pop-rock tune, “Estupendo.” And rightfully so, that song is amazing. Not less than perfect for going on a run, going out or jumping on all the furniture in your house. Their new album, Lotuk, is an eclectic mix of Electropop, downtempo jams, garage rock and blah blah blah… It’s hard to get you a few tracks and fully describe these Belgian dudes, so here are some of my favorites. “Selvagem” it badass, at least. That crunchy lead line is perfect when coupled with their European, indie genius. Also, check out the chillout, spoken word bombs on “The Letter,” if you can. What do you think?

MP3: Arsenal – “Estupendo”

MP3: Arsenal – “Selvagem”

If not simply for his part on The Flaming Lips, Hit To Death In The Future Head, Johnathan Donahue has constantly brought something new and interesting to my table. Mercury Rev have been consistently enigmatic from 1991’s Yerself is Steam all the way to their newest, Snowflake Midnight (You should definitely get this). The title could not be more indicative of the chilled, ethereal concepts behind this album. Take a listen to the first track, “Snowflake in a Hot World,” then jump on the awesome Fujiya & Miyagi remix of “Sense on Fire.” Finally, there’s my all-time favorite ‘Rev song, “Car Wash Hair,” from their first album, written about the Lips and possibly one of my favorite songs of all time.

MP3: Mercury Rev – “Snowflake in a Hot World”

MP3: Mercury Rev – “Sense on Fire (Fujiya & Miyagi Remix)”

MP3: Mercury Rev – “Car Wash Hair” from Lego My Ego EP (1991)?

My favorite underground hip-hop artist today is none other than Cadence Weapon (a Canadian!!!). With truly raw beats and panned out production, this guy is a real person. The character he embodies is actually a reflection of something real and he’s not afraid to be smart, something that I look for in the art of poetics. That said, CW kicks you hard in your teeth and ankles… a blow of truth. Check out these bomb tracks and dig more at Hype.

MP3: Cadence Weapon – “Limited Edition OJ Slammer”

Mp3: Cadence Weapon – “Real Estate” (which has an awesome video)

Department of Eagles are doing pretty well these days, from what I see. That’s definitely a good thing. I haven’t heard too much, but their album, In Ear Park is full of great, reverb-ey swamp rock and I like it a whole lot. Especially that song that everyone loves, “No One Does It Like You.” Here are three versions, each awesome in it’s own way. These guys are good.

MP3: Department of Eagles – “No One Does It Like You” from In Ear Park

MP3: Department of Eagles – “No One Does It Like You” live 10/6/08

MP3  Department of Eagles – “No One Does It Like You” alternate take at Don’t Look Down.

I’ve said it before, but we should all be even more interested in Rogue Wave. These guys are always at the top of my list of musical recommendation. They’re brilliant. Recently they did a MySpace session and the intimate nature of the performace not only gave me new insight into some of their more orchestrated songs, but also displayed a desire to never set a song in stone and always strive to perfect them. So, it’s okay to cancel a few shows. Great job guys, you are the shit! Few are better.

MP3: Rogue Wave – “Eyes” live on MySpace

MP3: Rogue Wave – “What Difference Does It Make (The Smiths Cover)” live on MySpace

MP3: Rogue Wave – “I’m Only Sleeping (Beatles Cover)” live on… somewhere.

In terms of classics, I’ve been listening to the Rolling Stones a bit lately and thought I would remind myself of the total awesomeness of this band.

MP3: The Rolling Stones – “She’s Like A Rainbow”

MP3: The Rolling Stones – “Street Fighting Man”

Finally, it’s election time, and for seriously counscious artists this means there is a great duty to fill. Wilco and Fleet Foxes recorded a cover of Bob Dylan’s “I Shall Be Released,” as an incentive download if you pledge to vote in November. Just a simple, honest gesture of incentive in activism from one of my new favorite bands and one of my favorite bands ever. I’ll post a super LO-fi version here, but you gotta get the real deal for the full effect.

MP3: Wilco & Fleet Foxes – “I Shall Be Released (Bob Dylan Cover)”

MP3: Jeff Tweedy – “Simple Twist of Fate (Bob Dylan Cover)” from the I’m Not There OST

MP3: Jeff Tweedy -  “I’m Into Something Good” (Herman’s Hermits Cover)

MP3: Wilco – “Nothing Up My Sleeve” YHF b-side

I hope you’re all doing well. Thanks to everyone who supports and reads our site. We love you very much. Stay connected, keep your eyes/ears peeled for MusicFloss.com and SUPPORT GREAT MUSIC!

Lykke Li- Youth Novels (2008)

 

Youth Novels is the debut LP from 22-year old Swedish sensation Lykke Li. Produced by Björn Yttling of Peter Björn and John fame, Youth Novels is full of indie pop gems that blend the intimate folk of female singer songwriters Feist with choral, orchestral and electronic elements. No doubt Lykke Li owes some of her sound, especially her high-pitched croon, to Björk but her style is a unique mix. Youth Novels is one of the year’s most fun albums, if not one of the best. She’s currently on tour with Miles Benjamin Anthony Robinson so check out the tracks I put up and check her out on tour!

 

mp3: “I’m Good, I’m Gone”
mp3: “Let It Fall”
mp3: “Little Bit”

 

Myspace | iTunes | Official Site

Pretty & Nice – Get Young

http://hardlyart.com/images/P&N/P&N1.jpg

Pretty & Nice’s first release for Hardly Art, Get Young, is officially out! My vow of silence is finally broken! I’ve had this album for two months and omgomgomgomg it is overwhelmingly good. (That has been building up for some time – I’m relieved I could express it in print so as to save myself the physical embarrassment of flailing my hands and jumping up and down.) I had the fortune of doing an interview with them 2 months ago for another magazine I wrote for (you can find it here) and have obsessed over this album ever since.

It took six months to record Get Young in their own all-analog, basement studio, putting in long hours and agonizing over every slight detail, staying up late in the night to record a sequence of bells on “Gypsy,” inviting friends to stomp and hoot at the end of “Pixies” and layering the hell out of each song with an armada of instruments scattered throughout their home. The result: their songcraft is unique and infinitely charming; the album progresses from frenetic punk epic to to sagacious pop classic, blending abrasive guitars bursting from broken amps with subtle vocoder hooks and pretty, oh-so-pretty pop falsetto. The guitars on “Pixies,” lilting and winding, are a melange of late Of Montreal and early Queens of the Stone Age, while the immaculate closure of “Wandering Eye” hits with an unexpected poignancy and ends with an immediate sense of withdrawal. Dammit, it’s already over? And clocking in at just under thirty minutes, listening to Get Young in its entirety relates an even stronger sense of accomplishment, like I just did an intense work out, or something. But with my brain!

This is the indie-pop epic you didn’t know you were waiting for. I’m often skeptical of “Best of the year…” type statements, but I’m going to make one. Get ready. This, if not the best, one of the best albums this year.

Just get this album, however you can. I won’t even pretend any more; buy it, download it, send for it via money order, or carrier pigeon. And considering P&N’s seeming obsession with the broken and archaic (their blown out speakers, their vintage recording studio, their old synthesizers), I’m sure they have a carrier pigeon package-plan tucked away somewhere in their scheme for world domination.

Then go see them live and freak out. I don’t know how people can thrash that hard and play guitar parts that intricate. Unless, of course, they are magicians. As I’ve suspected from the beginning.

And “Wandering Eye.” Goddamn that song hits hard. I’m still reeling.

From Get Young – “Wandering Eye”:

The entire album streaming here, for a limited time.

And here’s a live video of “Tora, Tora, Tora” at Great Scott in Allston Rock City. Not the best quality, but, they play so fast it looks like they’re being sped up.

[youtube]http://www.youtube.com/watch?v=gfge6AT5Luc[/youtube]

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